BK BUTLER TUBE DRIVER SETTINGS PLUS
The board is powered by Voodoo Lab Pedal Power 2 Plus and his new board uses a Voodoo Lab Ground Control System. His new board adds an additional MXR CAE Wah circuit mounted in the board and a BK Butler Tube Driver. His main tone comes from the combination of the King of Tone and Tube Screamer. The signal chain was a Dunlop Uni-Vibe, Electro-Harmonix POG 2, MXR CAE wah, Chicago Iron Tycobrahe Octavia (modern), Analog Man King of Tone (newest version), Ibanez Hand-Wired TS808 Tube Screamer, Analog Man Bi-Chorus, JAM Pedals Delay Llama, and Boss TU-3. Please subscribe for more demos of vintage & rare effects pedalsThis is the big daddy of tube overdrive pedals - the c. He runs all three amps and brings the Deluxe into the mix as "icing on the cake."Įffects Shepherd was using an in-between pedalboard while a custom board was being built when we caught up with him. That night, he was using a 1964 Fender Blackface Vibroverb Reissue, a new Fender Super-Sonic Twin set on the Bassman setting, and a Fender Deluxe Reissue that's been rebuilt by Alexander Dumble called the Tweedledee Deluxe. When we caught up with Shepherd, he was experimenting with different amp setups and trying to use lower wattage amps to lower the stage volume. Left to Right: Martin Kenny Wayne Shepherd Signature Acoustic prototype, Fender Stevie Ray Vaughan Signature Strat with GraphTech saddles and a custom neck (used heavily on his first album), National Resophonic Dobro Electric (used for "Aberdeen"), Guy Guitars Strat-style with lipstick pickups, built-in Roger Mayer overdrive boost, and Drop D lever. Left to Right: stock Fender Kenny Wayne Shepherd Signature Strat, Fender Kenny Wayne Shepherd Signature Strat prototype, Fender Kenny Wayne Shepherd Signature Strat with GraphTech Ghost pickup system (used for the "Blue on Black"), Fender Jimi Hendrix Monterrey Pop Limited Edition. 12s, depending upon how much he's been playing. Designed by BK Butler, the pedal has seen many labels (and owners) over the years. The Tube Driver has a long (and turbulent) history. Shepherd uses Ernie Ball strings and varies between. Buffalo FX has boldly tackled the Tube Driver the overdrive that has defined the tone of David Gilmour and Eric Johnson for the past decades. He uses this one primarily on the Lone Star’s clean channel to provide more sustain on clean, non overdriven parts. You need a cranked up Plexi style amp with the Tube Driver, Echoplex, reverb, and optional compressor. Joe is 100 correct about the voilin tone. I have the 3 knob Tube Works/BK Butler model like what Andy Timmons uses. He relies heavily on his Fender signature models, but employs different variations on the Strat for different songs. Used with the clean channel on the Stiletto, this pedal recreates the Resolution tones almost perfectly. That cool Joe, I also prefer a lower gain NOS preamp tube in my Tube Driver. Shepherd is known for using Strats, and brings a number of them on the road.
Watch our extensive video interview, including demos of all of his effects: We caught up with blues rocker Kenny Wayne Shepherd to check out his rig in Des Moines, Iowa.
0 kommentar(er)
